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20130911

Ovo 14. Material experiments with optic fibers. 2000.

Ovo14_SoilaHanninen
Ovo 14.
Broken glass from car window, resin, optic fibers. Ovo size ca 300x150x100.
©Soila Hänninen 2000

ovo14_15_SoilaHanninen
Ovo 14 (&15).
Broken glass from car window, resin, optic fibers. Ovo size ca 300x150x100.
©Soila Hänninen 2000.

Part of MA thesis to UIAHLight sources and components in collaboration with Saas instruments.

Posted by SHH at 22:55
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  • ▼  2013 (17)
    • ▼  September (13)
      • Kuutamo |The Fake Moonlight. Full moon twice a wee...
      • Ovo 1. Material experiments with optic fibers. 1999.
      • Ovo 1803
      • Ovo 16. Material experiments with optic fibers. 2000.
      • Ovo 15 (metal workshop). Material experiments with...
      • Ovo 14. Material experiments with optic fibers. 2000.
      • Ovo 13 (Ilmala). Material experiments with optic f...
      • Ovo 12. Material experiments with optic fibers. 2000
      • Ovo 9. Material experiments with optic fibers. 1999
      • Ovo 7. Material experiments with optic fibers. 1999.
      • Ovo 6. Material experiments with optic fibers. 1999.
      • Ovo 4. Material experiments with optic fibers 1999.
      • Kaivo -series 2. Hämärtimiä (Dim Sculptures)
    • ►  August (4)

About Me

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SHH
From the very beginning I have been active in a border terrain of art and design. Experimental design, construction and material experiments are a means of expression, and sometimes they complete the communications of the artwork. Ignores the size, the space or even the function, light has been the starting point for my art and design. I like to think light as a material and the idea of a tangible light is endlessly fachinating. The atmosphere and shapes of my artworks are studies of the light in different structures, materials and forms, but also in photographs. Immateriality of the light captivates. Immateriality is also linked to my environmental and ethical goals as a designer, artist, and in my educational work. One of my favourite set of teaching experimental design is related to patterning surfaces, graphics and minimization of material waste; how to convert from 2-dimensional to 3- dimensional. In my art i have implemented the idea of composability and foldable, with the suitcase packed mobile-sculpture for example. One of my aims is to apply the design criteria to artistic works or vice versa. To provide maybe more playful point of view to the subject matter.
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